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Reception analysis provides a means of understanding media texts by understanding how these texts are read by audiences. Theorists who analyze media through reception studies are concerned with the experience of media (print, broadcasting, online media) and it takes a closer look at what is actually going on. Reception analysis concentrates on the audience themselves and how they come to a particular understanding view of a text, and how meaning is created through that experience. An important concept of reception theory is that the media text—the individual movie or television program—has no inherent meaning in and of itself. Instead, meaning is created in the interaction between spectator and text; in other words, meaning is created as the viewer watches and processes the movie. Reception theory argues that contextual factors, more than textual ones, influence the way the spectator views the movie or television program. Contextual factors include elements of the viewer's identity as well as circumstances of exhibition, the spectator's preconceived notions concerning the movie or television program's genre and production, and even broad social, historical, and political issues. In short, reception theory places the audience in context, taking into account all of the various factors that might influence how she or he will read and contruct meanings from the text, such as in form of still images, moving images, or written. To understand the meanings that people take from a text it is necessary to get closer to individual audience members and engage with them at a personal level-qualitative research becomes a necessity There are obvious implications for research methodology. Quantitative research is not suited to investigating the construction of meaning.

Reception analysis provides a means of understanding media texts by understanding how these texts are read by audiences. Theorists who analyze media through reception studies are concerned with the experience of media (print, broadcasting, online media) and it takes a closer look at what is actually going on. Reception analysis concentrates on the audience themselves and how they come to a particular understanding view of a text, and how meaning is created through that experience. An important concept of reception theory is that the media text-the individual movie or television program-has no inherent meaning in and of itself. Instead, meaning is created in the interaction between spectator and text; in other words, meaning is created as the viewer watches and processes the movie. Reception theory argues that contextual factors, more than textual ones, influence the way the spectator views the movie or television program. Contextual factors include elements of the viewer's identity as well as circumstances of exhibition, the spectator's preconceived notions concerning the movie or television program's genre and production, and even broad social, historical, and political issues. In short, reception theory places the audience in context, taking into account all of the various factors that might influence how she or he will read and contruct meanings from the text, such as in form of still images, moving images, or written. To understand the meanings that people take from a text it is necessary to get closer to individual audience members and engage with them at a personal level-qualitative research becomes a necessity There are obvious implications for research methodology. Quantitative research is not suited to investigating the construction of meaning.

Media construct and make sense of the reality it serves to its audiences. Reality-construction and sense-making are influenced by internal (reporters, media organization) and external factors (sources, advertisers, others). Thus, news is a product of constructed reality. News is not something that is already out-there for the media to present to its audiences. Media chooses, selects, put emphasis on some details and facts, while (purposedly) overlooks others. The selection and emphasise are called framing. Framing enables the complex, disorganized realities, to be changed into organized, simple, and sensible realities. In this research, the news the A-Committee's excursion to Netherlands in relation to East Java's centenary in Public Service Broadcasting TVRI Jatim and Commercial (Private) Broadcast JTV are explored. Since the research intends to see how the media presents, exnominates, and puts emphasis on facts and details to make sense of the reality, this research uses Zhongdang Pan and Gerald M. Kosicki's framing analysis method. Hence, it was found, TVRI frames reality from the government's point of view, while JTV frames the reality from the watchdog role's point of view. The differences lays in historical, legal, and influences on media content. Thus, it was found that either public or commercial broadcasts television produce news according to their bias and interests that are seen through their newsframes.

Suicide Squad merupakan film yang menceritakan tentang kisah sekelompok penjahat yang direkrut oleh agen rahasia pemerintah untuk melakukan misi penyelamatan dunia dari ancaman berbahaya. Ada dua tokoh perempuan yang menarik dalam film yang memenangkan penghargaan Oscar sebagai Best Makeup and Hairstyling ini. Tokoh Amanda Waller merupakan seorang perempuan berkulit hitam yang menjadi penggagas terbentuknya Suicide Squad. Sementara ada juga Harley Quinn, seorang kriminal wanita yang menjadi pasangan Joker. Penelitian ini dilakukan untuk mengetahui representasi posfeminisme dalam film Suicide Squad. Penelitian menggunakan metode semiotika dengan kode-kode televisi John Fiske. Melalui subtema yang peneliti pilih yaitu identitas perempuan, kesetaraan tokoh perempuan dengan laki- laki dalam pembagian tugas dan kerja sama tim, upaya perempuan dalam mendapatkan kenyamanan dan menentukan pilihan, dan karakter feminin masing-masing tokoh. Kesimpulan akhir, perempuan dalam film ini digambarkan sebagai perempuan berkulit putih, bertubuh langsing dan berambut panjang berwarna pirang. Ia digambarkan sebagai seorang perempuan yang berani, kuat untuk berkompetisi dan penuh percaya diri. Sementara tokoh kedua digambarkan sebagai politisi wanita kulit hitam dari kelompok kelas menengah atas yang berpakaian rapi formal, yang mendominasi dan kerap kali melakukan penindasan.

COVID-19 yang muncul pada akhir tahun 2019 menyebabkan darurat kesehatan publik di seluruh dunia. Kejadian ini memunculkan kebutuhan bagi lembaga-lembaga pemerintahan dan kesehatan untuk melaksanakan Crisis & Emergency Risk Communication (CERC) di negara masing-masing. Termasuk bagi Pemerintah Kota Surabaya yang daerah pemerintahannya sempat menjadi episenter pandemi COVID-19 di Indonesia. Salah satu saluran komunikasi yang digunakan oleh Humas Pemerintah Kota Surabaya untuk melaksanakan CERC adalah media sosial seperti Facebook. Penelitian ini dilaksanakan untuk mengetahui bagaimana Humas Pemerintah Kota Surabaya mengimplementasikan CERC pada akun Facebook Bangga Surabaya. Penelitian ini menggunakan metode penelitian analisis isi kuantitatif dengan 7 best practices pesan CERC sebagai indikatornya. Temuan penelitian menunjukkan bahwa dari 17 Maret 2020 hingga 10 Agustus 2020, Humas Pemerintah Kota Surabaya mengimplementasikan 5 dari 7 indikator. Dimana sebesar 97% dari sampel penelitian mengandung setidaknya 1-5 indikator. Indikator yang paling sering muncul adalah "Promote Action Steps the Public Can Take" (69%), dilanjutkan oleh "Express Accountability" (55%), "Express Commitment" (47%), "Explain What is Known" (43%), "Express Empathy" (24%), dan yang terakhir "Explain What is Not Known" dan "Explain How or Why the Event Happened" yang masing-masing tidak muncul sama sekali (0%). Dari hasil penelitian dapat diketahui bahwa Humas Pemerintah Kota Surabaya melaksanakan 3 dari 4 peran Public Relations dan juga beberapa sifat atau tugas Public Relations secara umum maupun secara khusus sebagai Government Public Relations.